10.11.25

The Best of Art Toronto 2025

Here is my take on Toronto's art fair for 2025. You might recall artists Darlene Cole and Vicki Smith from interviews I conducted here on this blog. Both of whom sell really well and whose works I truly admire. Their works revel in a deep sense of nostalgia and youthful beauty and we see a quiet sense of movement in both. By contrast Rick Rivet's Mountain Cougar displays a bold Native work. It's a beautiful painting by an extremely talented artist. Robert Marchessault's Agadez and Line Busch's Untitled display a harmonious contrast of colours. Their work is really aesthetically pleasing and would be a great fixture in any environment. Meanwhile Gavin Lynch's and Cori Creed's works celebrate the Canadian landscape in different styles. Mr. Lynch uses a sort of graphic element to show the overwhelming power of a forest while Cori Creed wants to show a more joyful aspect of the Canadian wilderness. Erin Armstrong is a celebrated painter whose work circulates at art fairs tremendously. She has a unique style that relishes in a new kind of aesthetic. It's neither beautiful nor unpleasant. Rather it speaks its own language and you can instantly tell it's her work. Sebastien Gaudette is a new artist on the Canadian art market. His work is reminiscent of Damien Hirst. I particularly like his take of ink drops on graphic paper. Manolo Valdes' Femme au turban is a mystical rendering of a female without a proper identity. We know very little about this figure save and except that its steeped in nature as shown by the halo within the confines of her turban. 


1 Rick Rivet, Mountain Cougar, 2025, Native Canadian



2 Manolo Valdes, Femme au turban, ca. 2000, Spanish



3 Robert Marchessault, Agadez, 2025, Canadian



4 Line Busch, Untitled, 2025, Danish



5 Cori Creed, Fracture and Flow, 2025, Canadian


6 Erin Armstrong, Fleur, 2025, Canadian



7 Sebastien Gaudette, Trouve a l'atelier, 2025, Canadian


8 Darlene Cole, Dance in a Storm, 2025, Canadian


9 Gavin Lynch, Land of Feeling, 2025, Canadian


10 Vicki Smith, Flourishing, 2025, Canadian





7.11.25

1-54 London 2025

Here is a glimpse of what art was on offer at the annual 1-54 London art fair for 2025. It was an impressive group of work from the African Continent and here are some of my favourite selections. 

1 Afeez Onakoya, Untitled V, 2025, Nigerian



2 Gavin Goodman, Thando 5, 2024, South African



 3 Bev Butkow, calligram, 2025, South African


4 Sahlah Davids, Trousseau, 2025, South African


5 Ayobami Ogungbe, Off all People, 2024, Nigerian


6 Amina Rezki, Untitled, 2025, Moroccan


7 Girma Berta, Streets of Turmi, Ethiopia_2, 2024, Ethiopian



8 Eliane Aisso, Imole, 2025, Beninese


9 Kemboury Bessane, Enfants soleil, 2023, Senegalese


10 Lavar Munroe, What do you care where I come from, 2025, Bahamian


11 Simon Richard Ojeaga, Otuo Dance IV, 2025, Nigerian


Cinthia Sifa Mulanga, Barbies Pulling on Barbies, 2025, Congolese



31.10.25

Capturing the spirit of the Rwandan people with artist Benjamin Niyomugabo

The glistening skin in Benjamin Niyomugabo figurative paintings rejoices into a joyful chorus. The artist muses beauty and light in a wonderfully pleasant rhythm. Gone is the turmoil of Rwanda's political history. For there is no mention of any civil war or genocide here. The country has shed its past and it's clear from the artist that the focus should be on the present. As a result, we see the Rwanda people at their best brought to life as if kissed by the sun to a heavenly glow. Take for instance, Maziyateke, a portrait of a young Rwandan woman who sits poised and confidently stares directly at the viewer. Her gaze is gentle, persistent but not confrontational. Benjamin Niyomugabo never forgets to exude the feminine essence in this painting. The golden head wrap is a testament to the beauty and natural glow of the subject we are witnessing. Together with the floral background and pink chemise we see a perfect blend of colours that allow her true emotions to filter through. Benjamin Niyomugabo's figures pride themselves on their identity and culture. Never shy, they revel in a sort of tapestry of richness. There's nothing holding back the artist from showing us how important it is to present them in a positive image. They are painted with sincerity and strength. His technique is traditional and we see the influence of Old Masters. And it is here that his talent is simply immeasurable.

 Maziyateke

1. Can you tell us about your childhood in Rwanda? What was it like growing up there?

I was born in Kigali, but my mother sent me to her village in Ngororero district to live with my grandmother for three years. I was fascinated by traditional crafts, especially how people made pots and painted their walls using timber charcoal, clay, and white soil from the mountains. Living there, I saw how people were happy and cared for one another. These early experiences shaped how I see the world and continue to influence my art.

2 Bigrimana II


2. How did your interest in art begin?

My interest in art began through observing the people and daily life around me. I loved seeing how they created, painted, and expressed themselves. This curiosity inspired me to capture these moments and emotions in my own artistic work.


3 Karira I


3. How do you make your art? Can you explain your technique?

I work with textures and layers, and my technique is influenced by contemporary realism, similar to the approach of John Singer Sargent. I focus on capturing fine details, realistic skin tones, and the beauty of my subjects.


4 Muziranenge


4. What do you want people to understand when they see your work?

I want viewers to experience what I have seen and loved in the world. My work reflects my observations of life, human connections, and the beauty around me, translated through my personal vision and creativity.


5 Bigrimana



5. What do you enjoy most about making art?

I enjoy bringing details to life, capturing skin tones, and expressing beauty and emotion through my paintings. The process of transforming an idea into a visual reality is what I find most rewarding.


6 Serenity in Grace



6. Has Rwanda’s politics affected your art? How?

The stability and growth in Rwanda have allowed me to focus on exploring culture, identity, and human emotion in my work. Experiencing life in this environment has inspired me to see and capture different aspects of society in my art.


7 She's a real gem 2025


7. Where do you see your art going in the future?

I am continuously evolving and exploring new directions in my work. While I do not have a fixed destination, my goal is to keep growing as an artist and refining my personal vision.


8 A sketch by Benjamin


8. What is the art scene like in Rwanda?

The art scene in Rwanda is vibrant and full of life, reflecting the mountains, markets, farms, dances, family gatherings, and the beauty of the people. There is a strong sense of culture and community, which inspires artists and audiences alike.

9. What is the hardest part of making art?

The most challenging part is generating new ideas and overcoming the initial hesitation of putting the first brushstroke on the canvas.


10 Timeless Journey



10. Who are your favorite writers or authors?

I enjoy authors who explore human experience, emotion, and the complexities of life. Some of my favorites include Chimamanda Ngozi Adichie, Gabriel García Márquez, Haruki Murakami, and Toni Morrison. Their storytelling and ability to capture culture, identity, and emotion deeply inspire me.


11 Raissa's Reverie



11. Which artists have influenced you the most?

John Singer Sargent, Peter Paul Rubens, Leonardo da Vinci, Paul Gauguin, and Vincent van Gogh have all influenced my style and approach to capturing human emotion and beauty in my work.


12 Hidden Gems III


12. What do you like to do when you are not making art?

I enjoy listening to music, going outside, watching football, and spending time observing life around me, which often inspires my art.





16.10.25

Artwork from the smaller art fairs

I had a look at some of the smaller art fairs featured on Artsy and found some of these works. If you don't have time to sift through or attend these fairs let me help you. Please scroll down and enjoy.

1 Gago, Bada, 2024, Armenian


2 Christian Awe, Waldchestag, 2025, German



3 Krysia D Michna Nowak, Girl with Bluebird, 2020, British


4 Angel Peychinov, Awaiting, 2024, Bulgarian



5 Ayrson Heraclito, Vodun Agbe I, 2010, Brazilian


6 Henry Ward, Stump, 2018, British



7 Takehito Koganezawa, Circle in the Round Bottom, 2025, Japanese


8 Shahnaz Aghayeva, Sweet or sour, 2025, Azerbaijani


9 Kolawole Samson Oluwadare, Lady in her Prime, 2025, Nigerian


10 Gemma Smith, Scripting, 2025, Australian


11 Sophie Derrick, Earthly Origin, Forest Green, 2023, British


12 Charbel abou Zeidan, sg, 2025, Lebanese


13 Marina Altukhova, Listening, 2025, Russian


14 Aude Herledan, Pathway, 2025, French


15 Ilker Kayali, I turn towards you, 2024, Turkish


16 Olaf Holzapfel, Topographie der ungewohnlichen Welt, 2025, German



17 Brian Lister Kansiime, Roots that shape us, 2025, Ugandan


18 Mia Boe, Rip, 2025, Australian


19 Sonja Vulpes, Sweet 2, 2025


20 Barbara Walker, End of the Affair, II, 2025, British


21 Sarah Emily Porter, Colour Theory, Waterloo, 2025, British


22 Earlie Hudnall, Jr. Mother with Sons, 1973, American



23 Laeila Adjovi, Brisso in the clouds, 2024, French Beninese