Kiaf Soeul proved itself to be the international affair that it is. South Korea is the leading Asian art market and it was fitting that it showed such a wide array of artists. From Kwon Hye Jo's European street scenes to Oliver Okolo's portraits there were surprises everywhere. Nobody was left behind. Instead, Kiaf Soeul showcased the finest artists it could find in the heart of South Korea. I hope the newly discovered will continue to show on the international arena. And I wish that Korean artists receive the acclaim they deserve both at home and abroad.
Kwon Hye Jo, Borough Market, 2022, South Korean
Leandro Erlich, Batiment II, 2004, Argentine
Lee Eu, peinture en question, 2022, South Korean
Lee Jung Eun, Bookshelf of Flourish, 2022, Korean
Lim Seung Hyun, A supportive life, 2022, South Korean
Lim Seung Hyun, My Little Cat, 2022, South Korean
Lim Seung Hyun, We will get off at the next stop, South Korean
Maurizio Donzelli, Mirror 1622, 2022, Italian
Mi Hei Her, Entre deux, 2022, South Korean
Ndidi Emefiele, Night Swimmers, 2022, Nigerian
Oliver Okolo, Harlem Boy, 2022, Nigerian
Qwaya, On the flower, 2022, South Korean
Seong Joon Hong, Study Layers 39, 2022, Korean
ShishidoMia, Walkman 2022, Japanese
Socko, It takes me by surprise, 2022
Suanjaya Kencut, Untitled, 2022, Indonesian
Suzuki Takako, I'm here to meet you, 2022, Japanese
The Revolue, Wherehow, 2022, Brazilian
Tokuro Sakamoto, Float, 2014, Japanese
Tom Anholt, Autumn Swim, 2022, British
UFO 907, Rollin with style, 2022
Willem Hoeffnagel, Getting together part two, 2022, Dutch
No comments:
Post a Comment