31.10.25

Capturing the spirit of the Rwandan people with artist Benjamin Niyomugabo

The glistening skin in Benjamin Niyomugabo figurative paintings rejoices into a joyful chorus. The artist muses beauty and light in a wonderfully pleasant rhythm. Gone is the turmoil of Rwanda's political history. For there is no mention of any civil war or genocide here. The country has shed its past and it's clear from the artist that the focus should be on the present. As a result, we see the Rwanda people at their best brought to life as if kissed by the sun to a heavenly glow. Take for instance, Maziyateke, a portrait of a young Rwandan woman who sits poised and confidently stares directly at the viewer. Her gaze is gentle, persistent but not confrontational. Benjamin Niyomugabo never forgets to exude the feminine essence in this painting. The golden head wrap is a testament to the beauty and natural glow of the subject we are witnessing. Together with the floral background and pink chemise we see a perfect blend of colours that allow her true emotions to filter through. Benjamin Niyomugabo's figures pride themselves on their identity and culture. Never shy, they revel in a sort of tapestry of richness. There's nothing holding back the artist from showing us how important it is to present them in a positive image. They are painted with sincerity and strength. His technique is traditional and we see the influence of Old Masters. And it is here that his talent is simply immeasurable.

 Maziyateke

1. Can you tell us about your childhood in Rwanda? What was it like growing up there?

I was born in Kigali, but my mother sent me to her village in Ngororero district to live with my grandmother for three years. I was fascinated by traditional crafts, especially how people made pots and painted their walls using timber charcoal, clay, and white soil from the mountains. Living there, I saw how people were happy and cared for one another. These early experiences shaped how I see the world and continue to influence my art.

2 Bigrimana II


2. How did your interest in art begin?

My interest in art began through observing the people and daily life around me. I loved seeing how they created, painted, and expressed themselves. This curiosity inspired me to capture these moments and emotions in my own artistic work.


3 Karira I


3. How do you make your art? Can you explain your technique?

I work with textures and layers, and my technique is influenced by contemporary realism, similar to the approach of John Singer Sargent. I focus on capturing fine details, realistic skin tones, and the beauty of my subjects.


4 Muziranenge


4. What do you want people to understand when they see your work?

I want viewers to experience what I have seen and loved in the world. My work reflects my observations of life, human connections, and the beauty around me, translated through my personal vision and creativity.


5 Bigrimana



5. What do you enjoy most about making art?

I enjoy bringing details to life, capturing skin tones, and expressing beauty and emotion through my paintings. The process of transforming an idea into a visual reality is what I find most rewarding.


6 Serenity in Grace



6. Has Rwanda’s politics affected your art? How?

The stability and growth in Rwanda have allowed me to focus on exploring culture, identity, and human emotion in my work. Experiencing life in this environment has inspired me to see and capture different aspects of society in my art.


7 She's a real gem 2025


7. Where do you see your art going in the future?

I am continuously evolving and exploring new directions in my work. While I do not have a fixed destination, my goal is to keep growing as an artist and refining my personal vision.


8 A sketch by Benjamin


8. What is the art scene like in Rwanda?

The art scene in Rwanda is vibrant and full of life, reflecting the mountains, markets, farms, dances, family gatherings, and the beauty of the people. There is a strong sense of culture and community, which inspires artists and audiences alike.

9. What is the hardest part of making art?

The most challenging part is generating new ideas and overcoming the initial hesitation of putting the first brushstroke on the canvas.


10 Timeless Journey



10. Who are your favorite writers or authors?

I enjoy authors who explore human experience, emotion, and the complexities of life. Some of my favorites include Chimamanda Ngozi Adichie, Gabriel García Márquez, Haruki Murakami, and Toni Morrison. Their storytelling and ability to capture culture, identity, and emotion deeply inspire me.


11 Raissa's Reverie



11. Which artists have influenced you the most?

John Singer Sargent, Peter Paul Rubens, Leonardo da Vinci, Paul Gauguin, and Vincent van Gogh have all influenced my style and approach to capturing human emotion and beauty in my work.


12 Hidden Gems III


12. What do you like to do when you are not making art?

I enjoy listening to music, going outside, watching football, and spending time observing life around me, which often inspires my art.





16.10.25

Artwork from the smaller art fairs

I had a look at some of the smaller art fairs featured on Artsy and found some of these works. If you don't have time to sift through or attend these fairs let me help you. Please scroll down and enjoy.

1 Gago, Bada, 2024, Armenian


2 Christian Awe, Waldchestag, 2025, German



3 Krysia D Michna Nowak, Girl with Bluebird, 2020, British


4 Angel Peychinov, Awaiting, 2024, Bulgarian



5 Ayrson Heraclito, Vodun Agbe I, 2010, Brazilian


6 Henry Ward, Stump, 2018, British



7 Takehito Koganezawa, Circle in the Round Bottom, 2025, Japanese


8 Shahnaz Aghayeva, Sweet or sour, 2025, Azerbaijani


9 Kolawole Samson Oluwadare, Lady in her Prime, 2025, Nigerian


10 Gemma Smith, Scripting, 2025, Australian


11 Sophie Derrick, Earthly Origin, Forest Green, 2023, British


12 Charbel abou Zeidan, sg, 2025, Lebanese


13 Marina Altukhova, Listening, 2025, Russian


14 Aude Herledan, Pathway, 2025, French


15 Ilker Kayali, I turn towards you, 2024, Turkish


16 Olaf Holzapfel, Topographie der ungewohnlichen Welt, 2025, German



17 Brian Lister Kansiime, Roots that shape us, 2025, Ugandan


18 Mia Boe, Rip, 2025, Australian


19 Sonja Vulpes, Sweet 2, 2025


20 Barbara Walker, End of the Affair, II, 2025, British


21 Sarah Emily Porter, Colour Theory, Waterloo, 2025, British


22 Earlie Hudnall, Jr. Mother with Sons, 1973, American



23 Laeila Adjovi, Brisso in the clouds, 2024, French Beninese



14.10.25

Ronen Zien: Walking Into


Ronen Zien was born in Israel to a Syrian Druze family. His work was recently showed at the Museum of Art in Tel Aviv and it was quite moving. Titled Walking Into, the body of work features a series of photographs both old and new, some manipulated, that explore the themes of displacement and the reunification of family. It is a fitting body of work that touches on the political climate in the Middle East. Ronen Zien figures in his photographs as a means to connect with his family history. He walks into his photographs, specifically in Walking Into, and attempts to experience the life that his family lived at a time of political turmoil and separation. His work focuses on the Syrian-Israeli border which separates his family into two. Not able to visit he seeks to find solace through revisiting old memories of his past through old photographs and new ones too. Ultimately, he wants to question what is possible, what is not and what is imagined.


1 My father and mother, 2019



2 Green Screen, 2024

 

3 Khan al Akhdar No.1, 2017


4 Green Roofs, 2019


5 Ronen-Zien, Walking Into, 2024


6 Sacred Landscape Land art, 2021


7 Family album, 1990's


8 Faded Memory No.3, 2021


9 Faded Memory No.2, 2021



10 Intense Memory, 2021


11 Ronen_Zien_Interception, 2024